When Rebecca Eaton became the producer of Masterpiece Theatre in 1985, she hadn鈥檛 actually seen many of the episodes. Nor did she even like mystery novels, though she would be required to choose stories for Mystery!
But the lifelong Anglophile seized her chance to make a mark in the budding public television system. Twenty-eight years later, as she retells in her book , Masterpiece is one of television鈥檚 hottest shows, and Eaton is responsible for its triumphant transition from the 鈥渜uill-pen鈥� era into the digital age.